Wednesday, June 7, 2017
2017-06-18: Creaking Planks at the Accordion Noir stage at Car-Free Main Street!
Monday, May 15, 2017
2007-05-04: the Creaking Planks joined Accordion Noir Radio in their "new" time-slot!
Monday, May 1, 2017
Creaking Planks on Swamp Rabbit Squeezebox Festival fundraising compilation CD
So's you know what you're getting into, here's a complete listing of all the tracks included on the compilation:
Crystal Bright and the Silver Hands - The EndPS, don't despair -- we do have live performances and more video recordings coming up, but all in good time.
T.C. Costello - How to Have a Good Time in the Afterlife
Miss Mousie and the Rigamarole - Dumpsters and Diverbars
Jet Black Pearl - Slug Song
The Brandy Theives - The Muse of Molly Malloy
Geoff Berner- Condos
Cascabel - Time & Road
Wasted Wine - The House
Tower of Dudes - We're Allright
Creaking Planks - Pie Song
Esmerelda Strange - Que Viva La Chava
Apathy Wizards - The Girl who touched the Moon
Barbara Adler - Moon
Miss Natasha Enquist - Golden Planet
Thursday, April 20, 2017
2017-04-19: RIP Dick Contino
This ... I won't say schizoid, but multi-faceted programming ethos led us to the following slice of mainstage schedule during our appearance there: the Alex Meixner Band, Dick Contino, the Creaking Planks, Duckmandu... bang bang all lined up in a row just like that. Now the first and second pairs have some internal consistency in terms of tone, but the gulf between the two pairs seems insurmountable. Emerging from the Italian community around Fresno, a young Dick rose to prominence winning the Horace Heidt variety shows and spinning it into charismatic stardom on radio and TV, appearing on the Ed Sullivan show a record 48 times. His trademark number "Lady of Spain", performed with his distinctive bellows shake technique, became a solid gold accordion old guard cliche. (Our solution to bridge the gap was to poach half of Alex's band -- hello out there to Matt Tolentino!)
As a scholar of accordion history, I owned several of his albums on vinyl -- presenting him as what he was, the difficult-to-parse-today bona fide accordion sex symbol that he was -- and gingerly packed them along on the airplane south in strange hopes of somehow getting him to autograph them backstage at Cotati when our paths crossed. Instead, my time before our set was spent desperately sniffing around the festival grounds in search of an accordion to borrow, as the kindly Tarkin-lent antique I'd taken custody of two nights before had crumbled in my hands the previous night in Santa Rosa, forcing me to temporarily squeeze myself into Amber Lee's heart-bellowed squeezebox. Fortunately for the Creaking Planks, our Victoria-based friends at Tempo Trend were improbably vending at this festival, and were willing to lend Blackbox Squeezebeard an instrument on indefinite loan for that afternoon's set, another that night at the Revolution Cafe in San Francisco and the following night at Peri's in Fairfax. Just bring it back to us next time you're in Victoria, they said. I guess when you're made of accordions, the fate of one particular instrument is ultimately of little import. They got mad props from my profuse on-stage thanks, and the whole fest got a set it wouldn't soon forget>. And I never did get those albums autographed by Dick Contino. (There he is, sandwiched between the cello and mandolin! Thanks for the photo, Rachel!)
Monday, December 19, 2016
2016-12: Jingle Bellows
For further information or to donate directly, point your web browser to www.accordionnoirfest.com! And now, the demonstration clip:
(And a mazel tov to Ana Grace for her November bat mitzvah! Der Royshiker Krokves helped her celebrate with an earful of heavy shtetl!)A video posted by Accordion Noir Fest (@accordionnoirfest) on
Thursday, November 17, 2016
2016-11-17: The Future
This was one of the very first (the kazoo is a dead giveaway... originally scat, but that attempt was better left unshared) song arrangements the Planks made (as opposed to simply printing out such tabs as could be found online and hoping that they were semi-legit) and its pacing shifts were inspired by the various klezmer rhythms we were formally exposed to while learning the songs for Melinda Gidaly's "Jew! A Musical" at the Fringe Festival (gulp) eleven years ago.
What with the morose synths and the somber female vocal section intoning "doo doo doo!" soulfully, we felt that the original was elegiac... but what the world needed at that moment was a barn-burner, with the feel that "if the world is coming to an end, let's see it out with one hell of a party!"
Whether we were successful or not is up for some debate, with one friend perplexedly inquiring after witnessing an early set if my musical aspirations really were set on doing Leonard Cohen covers as Cookie Monster? Well... that sounds at least as viable as Macaulay Culkin's Pizza Underground!
If you like, you can hear us perform this song live tomorrow night (!) at the Accordion Noir 10th anniversary cabaret!







