-
Q: What's the opposite of a "sex dwarf"?
A: An "abstinence giant".)
A: An "abstinence giant".)
But wait! Covering every holiday all year 'round, as it does, it is actually eternally relevant -- and so we have revived our Christmas charity single, "Never Give A Puppy For Christmas", to appear in our video series. It is, ah, more accessible than our other holiday song this year, so we hope you enjoy! (Featuring Drongo on the guitarviol, a full array of Planks regulars and Backwash Sally on guest whistle solo and tambourine!) (PS, nothing against puppies per se -- just introduce them into a family as forever friends when their arrival can be the big focus, not one more distraction in a context of disposable consumerism and annual turnover.)
Do you live in the biggest city in Canada? While the band's numerous members have mostly spent some time there, the band itself has never visited -- and yet, a trove of Creaking Planks T-shirts was brought there in a deprecated effort to make it easier for our fans in the Greater Toronto Area to have convenient access to them. Our impromptu warehouse, Dieter Friesen (of Deet Street productions, a longtime cornerstone of our reign at the Railway Club), is decamping to Prince Edward Island, and he is aiming to not bring all the shirts with him. So if you wear a Men's S, M or XL, or (like GTA-based cover model Nico, rocking the Planks shirt as hard as the bedhead) a Women's S, M, L or XL, then you're in luck! If you care to coordinate with Deet you can skip the shipping and go home with a Creaking Planks T-shirt today for only $10! (Steeper discounts may arise as we approach his departure date.) They make excellent Christmas presents, but will also suffice for Hannukah and Kwanzaa in a pinch! If the design is a winner but the sizes just aren't quite the right fit, you can always cut it out and turn it into a stylish patch!
We know we have friends in Toronto, but we also know that we have more friends in Portland, Oregon, where a small shipment of small shirts managed to make its way to this year's Horace Phair party without us. (It's... a long story.) Any Plank friends or octopus enthusiasts in the environs who wear a size S shirt, please make a connection with Jenn Dolan (or write us, we can facilitate the hookup) to get your sweet paws on a small shirt before the New Year, strictly by donation! (Apologies to The Big Smoke, that's just reflective of the regional economics of the matter.)
(And to the thwarted locals in Vancouver, Canada, fear not -- there are still a few on the racks over at Spartacus Books.)
Staggering out of their first decade looking markedly changed, East Van's jug band of the damned take to the stage to do their unique combination of holy idiocy, colliding the canny with the foolish, the sacred with the profane, and Britney Spears with the accordion. Doors at 8:30, $10.Join us, won't you?The Benedict Arnolds of the trad set, The Creaking Planks squander perfectly pleasant old-timey acoustic instruments on unlikely repertoire that ranges from inappropriately avant-garde to downright bizarre. But why? It’s anyone’s guess, but happily as it turns out, the unexpected end result is pretty fun: a mystery wrapped in an accordion wrapped in an enigma wrapped in bacon.
The members of the Myrtle Family Band are bound by a tie thicker than blood. Those mysterious Myrtle Sisters boil down a thick, juicy slice of Americana to a potent syrup both sweet and salty, then apply it judiciously.
Vancouver’s Sidewalk Cellist takes the classics out of the concert hall and throws them into the streets, with the help of her nearly-indestructible carbon-fiber cello! She provides a musical mix of everything from Bach to Nirvana, jazz to heavy metal, and more, building bridges between genres for audiences of all shapes and sizes.
Well, we returned to the living roomstudio and took another crack at it, because anything that is liked when only heard, must be loved when seen. (Doesn't that stand to reason?) And if that doesn't put you in the zone, try cracking a glow stick and waving it around while flicking the lights on and off. Now, because these are live takes, there is some variance between the two versions -- maybe you can choose your favorite! So here we go, without further ado -- the Planks take 2 of Born Slippy:
Instead, we've devised a new approach. We still enjoy each other's company, getting together and playing music, but why does it have to happen at places we wouldn't otherwise want to be, at times that are inconvenient for us? Instead, we can meet up in the evening in one of our living rooms and jam on comfortable sofas, with a cup of hot tea at our side and no flatscreen television sets subjecting us to brutal MMA mishaps. And by setting up a camera, we can allow you to sit in that living room with us, at your convenience, from your own comfiest chair, regardless of just how far away you live or how much room there is for additional human beings in our living room. You're all welcome to join us!
This is a way of saying that we've launched a YouTube video series of us workshopping and playing standards, originals and covers (and who knows, perhaps your suggested song could be next on the hit list?) The channel overall can be found over here, where recent recordings will always be available for interested parties to get up to speed. As of press time, we have four videos available for your enjoyment:
This show is coming up this coming Sunday night, December 6th, running from 8 pm until late (but not too late, it's a Sunday night people 8) at the WISE Hall (upstairs 1882 Adanac at Victoria.) Tickets are $10! See you there!
Get your dancing shoes ready for December 6th at the WISE!(Come on, you know us already!)Professor Gall
A Tincture of Junkyard Folk and Steampunk Jazz, Professor Gall seeks to uncover the contradictions of an ambiguous and native-less society, "dreaming the existentialists' dream", while at the same time pleading for individualism, peace, and more fun at funerals.Carolyn Mark
The Queen of Vancouver Island, Mint Records recording artist and all 'round sweety with a dark side! Country, folk and Americana delivered with a smile. Please welcome all the way from Vancouver Island: Canada's Best Country Cabaret Trio Carolyn Mark and the New Best Friends. Featuring Joel Fernandes (aka The Portuguese Stallion) on lead guitar and Dennis "The Ingrate" Siemens on the (barely) upright bass. Carolyn and her band sure love playing The Wise Hall and are glad The New Asshole Neighbours didn't get it shut down. The New Best Friends are delighted to share the bill with ...The Creaking Planks
a celebration of eastern European music, Yiddish story telling and EATING... klezmir musicians, Yiddish story telling, bagels, cream cheese, jam and smoked salmon... FREE... a container will be passed around to raise some funds to sponsor a Syrian family to Canada
[T]his year marks ... the final AN Fest appearance of the Creaking Planks. Gasp! Shock! Say it ain’t so! [T]he programmers have spoken... (And who knows, maybe in time we can be brought back... But it won’t be in 2015.)Well... what can we say? We're big, fat, lying liars. We saw this year's Sunday afternoon community event promoted with an accordion parade, and then got a fire lit under us when we were told that no one had organized one. But the location, Spartacus Books, so close to Trout Lake! All you need is two people (a small parade, granted, but one person alone is never a parade) to musically march one block and do a loop of the park. Surely we could round up two people in 48 hours!
Well, those 48 hours were a roller coaster ride, I can tell you. Squeezebox Circle luminaries confirmed their availability, then cancelled hours before the parade. Planks themselves boldly issued "yea"s which then somehow twisted cruelly into "nay"s. But having been announced, the show had to go on! So I strapped the baby accordion on my three-year-old and went to Spartacus Books to rendezvous with Daisy-Jones Locher, the only constant element in my hair-brained, last-minute cockamamie scheme.
There we found additional accordionists! Accordionists setting up raffle tables, adjusting stage lights, setting up video cameras... accordionists, otherwise put, unavailable to join us in our parade. But the hosts of the afternoon's fest program, the Kate & Rich duo from Halifax, were there early and opted to join us for strange kicks. (Just as well, I'd be lying if I said that our motivation was so very different.) A further ancillary accordionist loitering around the facility also followed suit, and we were off!
Without necessarily being a criticism, I feel confident in making the observation that the sunny Kate & Rich, likely highly lucrative on the busking circuit, may despite their affiliation with this festival this year, perhaps be the least Noir ensemble in existence. It didn't help that to lighten her load, Kate elected to play & promenade not on her regular 120-bass accordion, but the student model being offered as a raffle prize -- the one with no minor chord buttons. But we were so happy just to not be certifiably crazy weirdos out there all alone in the world (instead, crazy weirdos out there in a very small group in the world) that we tempered our planned park-circuit set (mostly klezmer) to suit the limitations of the instrument. But it sure made for an emotional roller coaster: we played "Creep", they countered with "You are my Sunshine"; we upped the ante with our G-rated rendition of Nine Inch Nails' "Closer", and they centred the mood back with "When the Saints Come Marching In". But our bizarre procession did garner some attention and drum up some interest in the imminent proceedings nearby at Spartacus -- notably, the final notes of Closer were recognized ("No freaking way!") by a park patron who was squatting a picnic table for a goth clothing swap.It's no sousaphone but... #eastvan pic.twitter.com/H8Nn1wCYVM
— Sara Bynoe (@sarabynoe) September 13, 2015
OK, throwing together a last-minute accordion parade flashmob was stupid, what can I say. But also it was fun. (It was also, I think, the third most successful accordion parade in the festival's 8-year history, and this time no one had to play through garbage bags to keep their instruments from being drenched by a torrential downpour.)
Anyhow, thanks to the Accordion Noir Festival for waiving their prohibition of us, and thanks to Kate & Rich for mellowing our tartness with some sugar -- and thanks to all the goths out there, who have no choice but to be themselves in this world gone mad. Now, we have another announcement coming up for early October, so stay tuned!
The party goes down at the WISE Hall (1882 Adanac Street at Victoria), also features a set by Purple Soul (and a variety show segment featuring, well, a cast of thousands: tag cloud -- "Adam Farnsworth, anniversary, CFRO, Chelsea Rooney, Chris Suen, Homegoing Brass Band, Jillian Christmas, Kenan Sungur, Mama Rude Gal, Mike Zinger, Purple Soul, R.C. Weslowski, Ramon Flores Trovador, Roots Roundup, Royal Aloha Monday Orchestra, Steve Bowell, Suzette Amaya, WISE Hall"), and begins with a mixer at 7 pm -- performances at 8:30. (Do you think there will be a DJ? There will probably be 50 of them!)
Advance tickets for station members are $10, available at Highlife, Red Cat Records, at The Wise Hall & Lounge, online, and of course at the radio station. (Prices will increase a little at the door, and a little more for non-members.)
If you need more convincing, here's an official PSA made by the station in which we are described as a "dorkestra". (This is why you generally try to provide your own promotional copy.) Just make sure they spell our name right!
I know, it's strange -- no one designs posters anymore, just Facebook event headers.
Due to a medical emergency, the Planks' set at last month's Balkan Beats party on March 6th was postponed. The good news is that we're all tip-top now and ready to return to the stage for a distinctly Royshiker Krokves set (think Old Country and European points further East) at the next of their parties at the Waldorf (1489 E. Hastings.) Also on the bill: Adam Shaikh and the Burinata Duo, plus visuals by VJ Simon Kinotropy! The show starts at 10 pm, $15 at the door!
And don't forget you can double your pleasure with dinner and drinks at Slickity Jim's Chat & Chew around front before the show!
Thanks to Mike Chow for providing the swell photograph we so ham-handedly bowdlerized!
SpongeDev SquarePlanks demonstrates this season's fashionable garment sensation!
And now... The Pitch:
Some pairings are eternal classics just waiting to be discovered. Like balsamic vinegar with strawberries, taxidermied trophy fish with Al Green, and politicians' faces with pies, from the moment they are first combined one reels in shock that the ecstasy of their meeting has been unfairly denied to past generations. Another of these fundamental pairings unjustly denied our ancestors: octopi and accordions. Prior to 1829, there simply were no squeezeboxes to juxtapose molluscs with, and even since then, one being an aerophone and the other aquatic... their paths have rarely crossed, belonging to different worlds. But in this brave, strange postmodern world, the lid has been blown off of Pandora's box, and there at the bottom, intrepid artists have discovered a consortium of octopodes entwined with button-boxes, pumping away at Piazzolla tangos in a passionate cloud of inky Oblivion. (And Hope. They also found a very small quantity of Hope at the bottom of the box, stuck to an octopus' beak like a wad of chewed gum. At least, I think that was hope... maybe it was ambergris?) Making up for lost time, visual artists and graphic designers (thanks, Simon Warner, Doc Colour, Bethany Hockenberry, Andrew Schnoor, Amber Lamb, Kirsten Beneke and more!) are combining these two disparate elements as though the clock was ticking, like their subject might suddenly fall out of fashion. (But we know, of course, that the accordion is rebounding from strength to strength after its 50 years in free-fall, so ... are the 8-armed invertebrates in any risk of shedding their eternal appeal? You tell me: optimised for their niche, they have been evolutionarily stable for 95 million years, yawning during the disappearances of the dinosaurs and the dodo.) As you may recall, we recently (Jan '15) printed a run of handsome t-shirts perhaps epitomizing this appealing, absurd juxtaposition, the accordionic octopus. The art was made by our very own Daisy-Jones Locher to be used on the poster for our 7th anniversary concert, and though we always knew it was destined to end up on a t-shirt, realizing this manifest destiny took somewhat longer than we'd anticipated. They were available for sale exclusively at our 10th anniversary concert, and though we sold a bunch ... the quantity of shirts printed was in excess of the venue's capacity, so since nobody bought multiple shirts, we do have a few remaining in every size. We will still be carting around a limited selection of shirts to our upcoming gigs for fans to purchase directly from us, but in the meantime we are also officially opening ourselves up to orders for delivery via Canada Post. (If you hurry, they may still be able to deliver to your door!) Accordion Octopus T-shirt Trivia: the accordion is upside-down! You know what, the octopus really doesn't care. That's actually the way that Blackbox first learned (well, taught himself) to play the squeezebox, only correcting himself after seeing an accordion played in the proper position on TV -- an option this octopus presumably doesn't have! Anyhow, existing technique and posture for accordion playing assumes a vertebral torso and only two digited limbs; with eight tentacles to work with, octopus accordion style is far more versatile than the B or even C system. Forget bellows shake; this bad mother will tear the bellows right in half! More Trivia: wouldn't it be bubbling if air was being squeezed out of it underwater? Maybe it is filled with water, underwater, ruining the bellows and rusting the reeds. (And where will an underwater octopus find a rig to melt more beeswax with which to repair the reeds? Oh, don't trouble yourself.) Maybe the octopus is aboveground, holding its breath while it squeezes out a merry jig on a bather's unattended instrument. Or maybe the octopus is like Grace Jones (what, you want me to qualify that comparison?) and is merely posing with the accordion, pretending to play it. Maybe. In conclusion, now you can go ahead and buy a shirt.
So finally we have an opportunity to give back some of what he has given to us: we didn't take the chance to cover any of his numerous amazing original songs on the Festival Man album, but we will be giving up two at the fabulous Bernerland roast / tribute show coming up this Friday night!
The roster is a gallery of big talent including his old friends in the Burnettes, Jeff Andrew, Dave Lang, Demon Squadron, E.S.L., Ford Pier, Carolyn Mark, Rae Spoon, fellow Monster of Accordion Jason Webley... and us! All hosted by Ken Gordon... one night only, 8:30 pm at the WISE Hall (1882 Adanac St. at Victoria), tickets will be $20 at the door (only $15 advance!) and all proceeds will be generously donated to the WISH drop-in centre. It has no option but to be quite a show....
January was unexpectedly busy for us -- in addition to the big 10th-anniversary blowout, we performed two more gigs last week you never found out about here. First off was Support Resistance!, a brief but punchy appearance at a fundraiser for the Carnegie Newsletter on Jan 24th (at which Mr. Berner also weighed in!), and then on the 29th we had a fascinating chance to provide ambient and improvisatory instrumental wallpaper for a pecha kucha at the Beaty Biodiversity Museum at UBC, where we drifted among cello pedal loops beneath the skeleton of a blue whale.
Here we are living the dream of re-enacting @TheDecemberists Mariner's Revenge Song at @beatymuseum . pic.twitter.com/8tNdtndhla
— Creaking Planks (@creakingplanks) January 30, 2015
Show business! Even after 10 years, it can't help but surprise you!
Now we are ten. We have been a going concern for over three times as long as that naive band of three, excited to be invited to play on the radio and basically trying to trick people into giving us opportunities to play for free as many nights a week as possible. We've played individual gigs whose fees have netted us as much dosh as entire years of playing for exposure got us; we have flown on airplanes to perform at festivals in other countries we never even applied to appear at. We have gone into studios to make recordings and then forgot about them. The level of success we have achieved has exceeded any heights we might ever have reasonably expected to reach with our improbable format, and yet, not a single one of our dozen-odd members is able to make a living in Vancouver making music. It's a funny, contradictory existence, to be true.
Whatever other beats we have and haven't been able to hit (gonged off stage: check; provided soundtrack for a live sex show: check; played on the soundtrack to the video game World of Goo: almost, but didn't quite happen), one constant for the last several years has been that we've had at least one show annually where we get to have it our way, on our terms -- to play on a bill stacked with acts we will enjoy, getting to pick our set times to accommodate our numerous twisted schedules. To wit: our anniversary show. Members turn up out of the woodwork to play just this one show all year round. We expect to be playing with 4 Planks and end up performing with 11, thereby kiboshing any chance of performing any material picked up since the previous anniversary show! We know that whatever we earn will end up as bus fare when split a dozen ways, so we ensure that we are paid amply in the only other currency with any weight to the unruly band of loose cannon musicians: fun.
For the first few years we were too scattered in our neurotic attempts to give away all the music as often as possible to worry about occasions on which to have shows that were guaranteed to be good, and for the first five years, that 3rd anniversary was the only one we celebrated. (It gave all anniversary celebrations overall somewhat of a bad aftertaste in our collective mouths, but eventually we learned to love again.) For the second five years, it has been mandatory: we had great, fun shows for our sixth anniversary, our seventh, our eighth, ninth and now, coming up next... the tenth anniversary of our first gig... to be our greatest, most fun anniversary show yet?
And now, apropos of nothing, I'd like to casually drop in a random photograph that assuredly has nothing to do with anything I'm talking about:
Here are the vital details you will need to know:
plus Ehren Salazar,
Al Mader, the Minimalist Jug Band,
Der Royshiker Krokves,
magic by Travis
and special guests!
at The Emerald (555 Gore Avenue)
Admission $10 (for ten years!)
What more is there to say?
...
Greetings to the Plank Nation! The time is nigh upon us! Tomorrow night, Friday, January 15th, we celebrate the 10th anniversary of our first meeting at the inaugural performance of the Creaking Planks at the Western Front's "raw and cooked" showcase curated by Sarah Macdougall, along with Chrystalene Buhler, Joanna Chapman-Smith, and the freak performance poetry revue "That's My Brain... And You're KILLING It!" There the Planking of Ole and Heather -- "a droney song, a noisy song, a short improv; all with a touch of pirate" -- met Rowan's arrangement of Al Mader's "I'm A Lousy Lay" ... and the rest was, if not exactly history, ten years of occasionally-inspired obscurity. We celebrated the decade-long musical experiment on the Accordion Noir radio program last night, featuring a series of rare recordings and concert bootlegs from various nadirs and zeniths of our varied history, and you can enjoy them as well... by following that link. We'll be breaking into the vault of time and playing a few similar selections from our vast back catalogue Friday night. So, you know that it's all going down at the Emerald, right? 555 Gore, upstairs at the site of the old dim sum restaurant the New Diamond? Here, perhaps the poster that Ehren Salazar designed will help to cement the details in your memory:
That's right: not just the Creaking Planks, but also their Jewish wedding band klezmorim alter egos Der Royshiker Krokves opening! The prime mover Al Mader, the Minimalist Jug Band! New tunes from Victoria's newly electrified improvised genius, Ehren Salazar! Plus a set of magical tricks from Travis, gosh wow! Ten dollars (for ten years) -- two dollars per act -- is basically a criminally undercharged rate, and audience members will be getting away with, well, a very good deal. Speaking of good deals... do you like accordions? Of course you do! Do you like octopuses? Duh! Why not both at the same time! "You got your octopus in my accordion!" "You got your accordion in my octopus!" "Heey...." "...NOT BAD!" But wait, this is a pointless digression! That's more like it. That's right, ladies and gentlemen, for the low, low price of another ten dollars, you could go home wearing this -- the first in what will assuredly be a long, long line of Creaking Planks fashions. This t-shirt is from the fabulous 7th anniversary poster design by Daisy Jones-Locher. No longer need you wear the tattered poster! Spare yourself the paper cuts! But that's not all... for further whimsical and otherwise-unavailable goods that will be sold at our concert, read on! That's right, it's the 2015 edition of Renee de la Prade's long-running Accordion Babes cheesecake pin-up calendar/album. We're not represented therein, as the "Accordion Dudes" beefcake calendar has had a long and bumpy trip getting off the ground, but we are great friends with the Babes and run on similar wavelengths as their strange sensibilities. Each month's babe is represented by a track on the accompanying CD album, so you can buy it to listen to and then later on you can pull out the magnifying glass to better examine which make and model of squeezebox each babe is rocking. A handful of these will be for sale for $20 a piece, and we can guarantee you won't find them in any store in town. Only in the strange chaos bubble surrounding the Planks do these bizarre alternate worlds manifest. See you there!